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| A Primedia Property | |
| February 19, 2002 | Vol 1 # 1 |
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ADVERTISEMENT ARGOSY Welcome to the Mix Newsletter Welcome to the first issue of The Mix Newsletter, the twice-monthly newsletter from Mix magazine. We'll keep you up to date on industry news, new products, and other things you need to know as an active member of the recording, production, and live sound community. If you have trouble reading this newsletter, and would like to receive a text-only version, or a version optimized for AOL members, point your browser to our change profile page and click on the button that corresponds to how you want your newsletter sent. If you don't want to receive the Mix Newsletter, look for the Unsubscribe information at the bottom of this message. We hope you enjoy this new feature of Mix magazine, and we look forward to your feedback! --The editors of Mix NEWSFLASH TGI Group picks up TC. In December 2001, TC Group, the Danish parent company of TC Electronic, TC Works and TC-Helicon, announced a proposal to the shareholders of TGI plc to purchase their holdings in the company. The offer has now been accepted by the shareholders and declared wholly unconditional, and a new strong constellation of innovative companies has been founded. MORE George Petersen's Recording Tip Recording Tip From George Petersen, Mix Editorial Director: Years ago, I became hooked on using electronic kick drum to trigger samples on rock, pop and R&B dateseven when I was recording an otherwise all-acoustic kit. This approach offers many advantages: Because the kick is silent in the studio, sympathetic snare buzz is greatly reduced, and the overall signal in the overheads is cleaner, with less kick bleeding into the other mics. Also, with no bleed from the original kick, the kick pattern can be changed or altered later if necessarya highly desirable option. On any session (sampled or otherwise), the goal of recording kick is to get a solid, consistent soundand here the sampled kick adds, rather than detracts, from the drum kit sound. In The Field In the Field: DPA Microphones guru-turned-on-the-scene-reporter Gary Baldassari offers daily "Reports for the Field" from the Super Bowl XXXVI sidelines. Baldassari and crew have been providing ambient crowd feeds for FOX Sports coverage of the game. Read what its like to capture crowd reaction to the game-winning field goal and Mariah Careys ear-piercing rendition of the "National Anthem." MORE
Own Your Own Recording Studio Fairlight Appoints Chris Pelzar to CEO MORE Yamaha Forms Commercial Audio Divisions MORE Moog Synthesizer and Apple Computer To Receive Technical Grammy MORE Studio Spotlight Studio Spotlight Chicago Recording Company (Chicago), an AMS Neve-equipped post-production and music recording facility, recently moved its satellite space in downtown Chicago and completely rebuilt its two all-AMS Neve suites. The two rooms house an AMS Neve Logic 2 digital mixing console and an AudioFile hard disk editor (Studio 55A) and a Logic 3 digital mixing console and AudioFile editor (Studio 55B). Recent clients include Dave Matthews Band, Red Hot Chili Peppers and Christina Aguilera. MORE Events Global Entertainment & Media Summit, March 2-3 in New York City MORE Musikmesse/Pro Light + Sound 2002, March 13-17, in Frankfurt, Germany MORE Streaming Media West 2002 Conference and Expo, April 23-26, in Los Angeles MORE IOV2002 Convention and Trade Exhibition, April 24-25 in Birmingham, UK MORE Registration is now open for the 2002 NSCA Systems Integration Expo, April 25-27 in Denver. MORE Syn-Aud-Con Sound Training Seminars, click here for dates and a location near you. Deadlines Summer NAMM 2002: To be considered for the initial booth space for Summer NAMM (July 19-21), your application must be received on or before March 8, 2002, accompanied by a deposit of 50% of the requested space cost and full payment of your annual membership dues if applicable. After March 8, space is on a first come, first served basis. MORE The NSCA Systems Integration Expo (April 25-27) housing application is due by March 26, 2002. MORE
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Copyright 2002, PRIMEDIA. All rights reserved. This article is protected by United States copyright and other intellectual property laws and may not be reproduced, rewritten, distributed, re-disseminated, transmitted, displayed, published or broadcast, directly or indirectly, in any medium without the prior written permission of Primedia Business Magazines & Media Inc. |