Will your wireless mics work next year? No need to worry about that
with Sabine's 2.4 GHz Wireless. Immune from TV interference and
any "White Space" issues, this system provides 70 simultaneous channels
that work everywhere in the world. Find out why this is the only
wireless mic with a future at www.Sabine.com.
Sennheiser's MKH 8000 series has top audio professionals
smiling. With its incredible accuracy and tremendous range of
accessories, it's adaptable to any requirement-from live sound to studio
recording to score-mixing. Bob Fernandez and Claudia Engelhart talk more
about the MKH 8000...watch the
NAB New Products
Get your products into this online-only NAB “New
Products Guide”part of our larger NAB microsite. For
information, contact email@example.com.
Coming in June: The Class of 2008
Mix is now accepting submissions for our annual design feature:
The Class of 2008. We’ll feature photos and descriptions of some of
the hottest studios that have opened in the past year. If you know of a
studio that belongs in this year’s Class, write to Barbara Schultz at
Mix at firstname.lastname@example.org.
Submissions are due March 26.
Register Today for Remix Hotel Miami 2008!
Remix Hotel Miami is heading to the National Hotel in South Beach March
27-30. Get all the latest news and updates at www.remixhotel.com, and don’t forget to register!
Central Region AES Student Summit April 4-6
Webster University in St. Louis, Mo. will host the second annual Central
Region AES Student Summit April 4-6, which will feature guest speakers
Bob Heil, founder and president of Heil Sound Ltd., and top mastering
engineer Bob Katz. The summit will offer panels, tutorials, demos,
networking opportunities and more. Students may pre-register for $20.
For more information and to register, go to
AES Nashville Presents C2 Conference April 18-19
The AES Nashville Section has developed the C2 (Capturing Creativity)
conference and gear expo for achieving professional results in personal
studios, scheduled for April 18 and 19 at the Musician’s
Hall of Fame and Museum. Participants will include leading
producer/engineers Jeff Balding, Chuck Ainlay, Russ Long, Pat McMakin
and Bil VornDick, and Lynn Fuston of 3D Audio. Early registration is
open through April 4 and is $149 for AES members, $199 for non-members,
$59 for non-member students and $39 for student members. For more
information, visit www.aesnashville.org/c2con.htm.
Waves On Tour Presents Eddie Kramer
Waves' "Studio Classics Collection Experience" is an educational tour
that is visiting cities across the U.S. during March, April and May.
Renowned producer/engineer Eddie Kramer and Waves product specialists
are presenting lectures and demonstrations of Waves' Studio Classics
Collection plug-in bundle, which comprises Waves' SSL 4000, V-Series and
API Collections. For the latest tour updates, click
Mix Nashville 2008
Join the editors of Mix on May 20-21, 2008 for an intensive look
at Nashville, the hottest recording market in the country today. The
place where studio meets live. Where country reigns and rock and blues
come to play. Where churches and clubs sit side by side, both pumping
out quality sound. Two days of studio, live, songwriting, production.
Two days of networking, demos, education and performance. Be sure to
visit Mix's special Nashville event page at
Game Audio Digital Magazine
This new monthly mag brings you behind the scenes on creating sounds for
today's hottest titles, from Guitar Hero to Splinter Cell
and Call of Duty, plus hot gear news, tech pages and spotlights
on audio pros like you who've made it big. And if that's not enough to
make you look, we've thrown in some cool giveaways, if you can find 'em!
To check out the current issue, click here!
on Tour With Third Day
FiberPlex's LightViper audio transport system was recently acquired by
David Jacques for the Atlanta-based contemporary Christian music group
Third Day for their recent Christmas '07 tour. David Jacques, production
manager/FOH engineer for Third Day (pictured, flanked by monitor
engineer Chris Biggs [left] and system tech Bobby George) comments on
replacing the group's old-school copper snakes with the LightViper.
One of the most important things we wanted to do with the Viper was
to minimize the overall audio system footprint and the amount of
cabling. Basically, we removed over 400 feet of copper from the rig;
this saved us lots of shipping weight and space. We now have a clean,
noiseless system. Since everything is now optically isolated, going
fiber also solved ground loop problems we often encounter. This is a
real plus since we roll-in and out of so many festivals and venues.
There is absolutely no degradation to the audio, which I didn't think
would be a problem anyway. Frankly, one of my biggest concerns was
whether the LightViper's thin fiber-optic cable would be robust enough.
I got my answer on the very first gig we did with it: Before anyone
could yell, "Stop!," I watched a heavy steel cart loaded down with about
250 stacked chairs roll right over the thin TAC fiber cable; I thought
it was over right there. Now I wonder why I was so concerned. The
tactical, military-grade fiber cable is designed for this kind of abuse!
Two musical tributes planned for late guitarist Jeff
The family and friends of late guitarist Jeff Healey are holding two
memorial concerts to celebrate his life and music.
Live Nation to buy Fantasma Production live music
Live Nation has agreed to purchase a majority of the live
music assets of late Florida concert promoter Jon Stoll's Fantasma
Productions, the company said Wednesday.
State fair seeks outside help for concerts
The bands that
will fill 12 days of the state fair's grandstand and Chevrolet Court
from Aug. 21 to Labor Day will be selected by the world's biggest
concert promoter. State fair director Dan O'Hara contracted with Live
Nation to book and promote the twice-a-day free concerts at the grassy
court and 11 ticketed shows at the grandstand. (Keeping with tradition,
motor sports will take over the grandstand on Labor Day.)
Matt Costa Investigation Update
Although Matt Costa
doesn’t have his $25,000 in stolen equipment back just yet, there may
be a lead in the investigation. After playing a nearly sold-out show in
Winnipeg, Manitoba, February 16th at the Garrick Centre, thieves stole
more than half of the singer/songwriter’s gear and instruments from a
locked storage room at the venue, according to the Winnipeg Sun.
Sound Company: Rat Sound (Oxnard, Calif.)
FOH Engineer/Board: Sean M. Palmer (also tour manager)/Yamaha
Monitor Engineer/Board:monitors mixed via FOH
Monitors: Sennheiser ew300s, Ultimate Ears UE-Pro
Outboard Gear: dbx, TC Electronic
Mics: Sennheiser e900 Series
Additional Crew: stage manager/guitar tech Kevin Kennaley, drum
tech Richard Fernandes, guitar tech Paul-Marc Rousseau, lighting
director Dougie Gandel
Sound Company: Wigwam
FOH Engineer/Board: Ray Furze/DiGiCo D5
Monitor Engineer/Board: Matt Napier/DiGiCo D5s
P.A./Amps: d&b J Series, C4
Monitors: Ultimate Ears UE7s, Sennheiser G2
Outboard Gear: Apple Logic 8, MOTU 896HD
Additional Crew: monitor tech Nick Mooney, RF tech Stephanie
Thopmson, system tech Sid Rogerson
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