| ADVERTISEMENT |
With sixteen inputs, the TASCAM US-1641 is the ideal choice to record
the whole band to a computer. Eight mic/line inputs plus six line inputs
gives you plenty of channels for a large ensemble, drum set for just
about any live recording. The US-1641 packs the interfacing power of a
big console into only one rackspace. For more information www.tascam.com
|
| ADVERTISEMENT | |
Sennheiser's MKH 8000 series has top audio professionals
smiling. With its incredible accuracy and tremendous range of
accessories, it's adaptable to any requirement-from live sound to studio
recording to score-mixing. Bob Fernandez and Claudia Engelhart talk more
about the MKH 8000...watch the
video.
|
Mix Nashville
• May 20-21, 2008
Studio. Live. Songwriting—Nashville on
Nashville
Come join the editors of Mix as we pull into Soundcheck Nashville
for two full days of panels, master classes and how-to programming.
Presented by Apple, Digidesign and Meyer Sound, Mix Nashville features
Nashville’s movers and shakers, including:
Tony Brown, Trina Shoemaker, Jeff Balding, Bob Bullock, Bill
VornDick, Andrew Kautz, Chuck Ainlay, Marc Repp, Robert Scovill, Michael
Wagener and many others.
Mix Panels include: Recording the Show, Plug-Ins Go Live, Keeping the
Rooms Filled and Making Money, Recording Guitar, The Full-Blown Demo and
Anatomy of a Hit, and many more.
Also, in conjunction with American Songwriter magazine, Mix
Nashville includes two full days of songwriters on stage, complete with
Demo Derby, Q&As and GarageBand demos.
Don’t miss it! Visit http://mixonline.com/ms/nashville08 to register
today.
|
SHARE YOUR
NASHVILLE STORIES
We'd like to hear from anyone who has worked in Nashville. Tell us about
your most memorable Nashville session! And if you've worked in Nashville
for several years, tell us about how the scene has changed. E-mail us at
mixeditorial@mixonline.com.
|
| ADVERTISEMENT |
|
ALLAIRE MAY
CLOSE
Allaire Studios, the Shokan, N.Y. destination studio that was the home
of two Neve-based rooms, appears to be closing. In March, all staffers
were relieved of their positions and all remaining scheduled sessions
were cancelled.
Mark McKenna, former studio manager of Allaire, commented on the
abrupt end for the facility, which opened in 2001... MORE
|
| ADVERTISEMENT |
|
LAWO MC²56
CONSOLE
At NAB 2008, Lawo will premiere its new mc²56 digital production
console. With a compact footprint for deployment where space is a
consideration, the mc²56 delivers the power, audio quality and
redundancy of its larger mc²90 and mc²66 siblings, as it uses the same
HD core. Featuring a streamlined interface for maximum functionality,
the mc²56 includes Lawo’s new surround channel with hyper-panning,
which enables mix engineers to control surround "bundles" with a single
fader that links all channel parameters and 8-channel metering. Lawo
hyper-panning also makes it possible to rotate a surround bundle through
360-derees, where front width, back width, and depth determine the
surround source. See it at NAB booth #N8720.
For more information about Lawo, visit the company's North American
Website at
www.lawo.ca.
SOLID STATE LOGIC FEATURES EXPANDED RANGE OF C100 HD
DIGITAL BROADCAST CONSOLES AT NAB 2008
Brainstorm Introduces New Version 2.0G
MORE NEW PRODUCTS FROM THE BRIEFING ROOM
|
| ADVERTISEMENT |
|
| ADVERTISEMENT |
|
Mix L.A.
Open Just Weeks Away!
The 13th Annual Mix L.A. Open, set for Monday, May 12,
2008, at the Malibu
Country Club, promises to be bigger and better than ever! Hosted by
honorary
chairman Ed Cherney, the best ball tournament will have more contests,
more
prizes and more auction items. Open to any level golfer, the event
begins
with registration and a continental breakfast at 8 a.m., with the
shotgun
start at 10 a.m. The awards dinner and silent auction are scheduled for
3:30
p.m.
MORE.
|
How To
Record Big Toms
When the toms on your drum kit are sounding anemic, try
miking both the bottoms and tops of each drum. This adds more inputs to
your setup, but to save tracks you could bus and pan them all to a
stereo pair, or record the top and bottom of each tom to a track as a
pair. Because the top head is moving away from the top mic on the stick
hit and the bottom head is moving toward the bottom mic, they are
naturally out of polarity. To remedy this, be sure to flip either the
top or bottom input out of polarity with its companion. You should
instantly notice a bigger, louder drum with more low end.
—Kevin Becka
|
| ADVERTISEMENT |
|
| ADVERTISEMENT |
|
| ADVERTISEMENT |
|
About This Newsletter
To get this newsletter in a different format (Text or HTML),
or to change your e-mail address, please visit your profile page to
change your delivery preferences.
For questions concerning delivery of this newsletter, please contact our
Customer Service Department at:
US Toll Free: (866) 860-7087
International: (818) 487-2020
or mixonline@pbinews.com
For information on advertising in this newsletter, contact Erika Lopez
at
mailto:erika.lopez@penton.com.
Penton Media, Inc. | 1166 Avenue of the Americas, 10th Floor | New York, NY 10036
Copyright 2013, Penton Media, Inc. All rights reserved. This article is
protected
by United States copyright and other intellectual property laws and may
not be reproduced, rewritten, distributed, re-disseminated, transmitted,
displayed, published or broadcast, directly or indirectly, in any medium
without the prior written permission of Penton Media.
|
|
|
|
|
Get a preview of our May Nashville issue by checking out these new
releases:
